A career-spanning exhibition of Gordon Parks photographs from the Dean Collection will debut this spring at The Ethelbert Cooper Gallery of African and African American Art at the Hutchins Center, Harvard University. Gordon Parks: Selections from the Dean Collection will premiere a selection of works from the collection of Kasseem Dean and Alicia Keys, who hold the largest private collection of works by Gordon Parks. Recognized as the most important African-American photographer of the 20th century, Parks represented his subjects—from the rural poor and Americans living under segregation to fashion models and prominent Americans—with empathy and dignity, employing the arts to champion social change. On view April 26 through July 19, 2019, the exhibition is co-organized by The Ethelbert Cooper Gallery of African & African American Art at the Hutchins Center, Harvard University and The Gordon Parks Foundation in cooperation with consulting curator, Dr. Maurice Berger. 

“The Deans have been important champions of the work of Gordon Parks, and this exhibition is an opportunity to share his work with a broader audience through the outstanding platform offered by Harvard University,” said Peter W. Kunhardt, Jr., Executive Director of The Gordon Parks Foundation. “The exhibition additionally builds on the Foundation’s strong history of collaborative programming with leading institutions in the mounting of exhibitions, conferral of scholarships, and mounting of public programs that engage the public with Parks’ legacy.”

The Dean Collection’s holdings span Parks’ entire career from his civil rights era images to fashion photography to portraits to lesser-known works. The exhibition will premiere a selection of highlights, including portraits of prominent civil rights leaders and cultural figures such as Malcolm X and Muhammad Ali, images of life in Jim Crow-era rural Alabama, fashion pictures, and documentary photographs, along with many lesser-known images. For several years, Keys and Dean have served as co-chairs of the annual Gordon Parks Foundation Awards Gala and announced the acquisition of 80 works by Gordon Parks at last year’s event.


Untitled, 1941


American Gothic, Washington, D.C., 1942

The Invisible Man, Harlem, New York, 1952

Flavio da Silva, Rio de Janeiro, Brazil, 1961

Untitled, Fort Scott, Kansas, 1963

Untitled, Miami, Florida, 1966

Untitled, Watts, California, 1967

Harlem Rally, Harlem, New York, 1963

Malcolm X Holding Up Black Muslim Newspaper, Chicago, Illinois, 1963

Untitled, 1941

Press Release